The novel “The Agenda … From Love to Assassinations” provides a documentary account of the most important events that the Arab region has experienced in general and Syria in particular, through dramatic fictional figures who transported the reader to the depth of the files on which the themes of the political event in the region were based during the first decade of the current century.
The novel seeks to provide a coherent narrative of the abundant events in the region, by revealing the links to the public and not keeping them confined to the information of the Syrian author Ibrahim Kouki, whose writing the “agenda” took 6 years until they were born in 2020.
The author tried to create the characters of his novel from people whose events lived in the community, such as Haydar, Nahla, Samer and Moumina, who each of them moves the reader to a society that appears independent, interacting with its surroundings in an independent way. Kouki sought in his novel to keep the randomness away from it.
In an interview with Al-Jazeera Net, Kouki presented the secrets of the agenda’s novel and the story of its writing, disclosed the identity of Haider, Nahla, Samer and Momena, and told his readers who they were? What do they embody in the novel? Then he moved to explain the location of his novel between the narrative purpose and the fictional nature? And why did it take him 6 years of writing? Up to the role of the Syrian case in creating fictional literature based on renewed love stories and war.
The axes of the novel
The agenda’s novel deals with the political and religious history of Syria from 2000 until 2010, and its events take place in 3 main axes: the assassination of former Lebanese Prime Minister Rafik Hariri, in all its details and what took place before and during the bombing, and then the local and international investigation committees that followed.
In this axis, Cooki reveals many details of what followed the assassination of Hariri from other assassinations, and provides the clues that explain them, leading to the disclosure of the details of the largest assassination and the cells that worked in it, and narrates the story of the car that was stolen to carry out the assassination.
The agenda novel … from love to assassinations …
The agenda’s novel … written by: Ibrahim Kouki .. New versions of Saray’s book .. Haydar, while pursuing Nahla, did not know that he would lose her one day. Nahla did not even know who was following her, and who was after her. On the way to the mosque. “Samer” met “a believer” and sought after his love for her, waiting for them to meet .. the love was not complete, “Haidar” did not meet “Nahla”, and “Samer” lost the opportunity to meet “a believer” again. The chapters of the novel took us to Another world..the world of intelligence, assassinations, and prisons..the agenda’s narration, in two parts (1/2), narrating the history of Syria between 2005-2009..and simulating part of the facts that occurred in those days … (Agenda 1/2) is available In Saray’s book, all thanks to IDRAK Center for Studies and Consultations, IDRAK, for funding the printing of the novel … and faith in this project … : 05340558303 Saray book .. between the lines .. # novel # book # books # library_istanbul # library_arabic_istanbul # library_arabia_in Istanbul # quotes # novels # Arabic novels # lovers of books B #Read # the most wonderful novels # international novels # Turkey # Arabic_Library_Turkey
Posted by كتاب سراي on Sunday, October 11, 2020
As for the second file that the novel deals with, it is the religious situation in Syria and its relationship to the regime, how the regime used Islamists to enter Iraq and then return from it to Syria, and the role of religious sheikhs and the Qubaysiyyat community in the Syrian scene, through the events of Nahr al-Bared and what happened in it in 2007.
In his novel, Kouki provides documentation of the exit of “Fatah al-Islam” fighters from Sednaya prison 15 days before the assassination of Hariri, and their entry into Lebanon, and then hiding them in camps such as Nahr al-Bared, Beddawi and Ain al-Hilweh.
In the third and final file, the novel reveals details about the insurrection of Sednaya prison, and narrates all the events of the prisoner rebellion in 2008 with the most accurate details of the attitudes and performance of Islamist and left-wing prisoners and all the prisoners ’components.
The story of the novel moves between 3 main characters: the first is Nahla, an Alawite girl with ties to the former Syrian Minister of Interior Ghazi Kanaan, who was said to have committed suicide after being interrogated in the Hariri case, and he was the one who held the position of the Syrian military governor of Lebanon. This Nahla is killed or disappeared in mysterious circumstances, according to the details of the “agenda”.
As for Haidar – who is the second character in the novel – he was a prisoner in Sednaya prison, and he used to love Nahla, so that the novel presented him with the character of the lover Alolhan who writes romantic poetry and collects roses, but behind all this tenderness in his behavior with the beloved was Haidar the jailer’s cruelty that appears when He deals with the prisoners with all cruelty and brutality in Sednaya prison. He is a human with two personalities. The author used him as an introduction to the world of the prison and its events.
Samer is the third character to have a major role in the novel. Samer was a young Damascene man, attending the mosque and studying at the Faculty of Dentistry, until he was arrested in connection with a bombing that had nothing to do with him in 2006, bringing him to Saydnaya prison, and witnessing all its events, up to the famous intractability in 2008.
As for Momena, she was a girl who also went to the mosque to learn the Noble Qur’an, and her mother was the sheikh of Al Qubaysiyat in Eastern Ghouta, and Samer was looking forward to her engagement, and Al Qubaysiat was a female Sufi organization active in Syria.
Next to these people whose leads are led in some way to Sednaya prison in which the writer resided, the Lebanese captain, Wissam Eid, was moving to investigate the Hariri assassination file, and he would pursue investigations and collect details until he revealed all the strings of the assassination, but the facts that he reached were all concealed by his death in a deliberate assassination According to the author Ibrahim Kouki.
Documentation and contract
The agenda is carved in the direction of narrating real events and documenting them in Syria, Lebanon and other countries in the region such as Iraq, more than its approach to literary genre, and in this context its author confirms to Al-Jazeera Net that he relied on documents and live testimonies he collected himself, choosing to move away from the “documentary book” formula in favor of The novel, in order for him to enjoy the vitality of dealing with all sources comfortably without burdening them with responsibility for the testimonies presented.
Cookie acknowledges the difficulty of mixing the artistic nature with the documentary approach of the novel, because the narrative side takes the reader to a human world covered with feelings and enveloped by feelings and ideas associated with self-dialogue and rich dramatic conflict, in contrast to the documentary goal based on narrating events with their rigid histories and personalities, adding that “this was a difficult work.”
The agenda bears a set of nodes for the large number of files it handles, which Kouki faced a real complication in twinning between them, he says, due to their intersection in his mind and their separation on paper, which required a lot of effort in gathering ties and forming relationships that blend with each other to build a coherent narrative fabric of events.
Cookie says that these complications – in addition to the time he spent searching for information, details and documents from film and news materials, books, press and human rights reports, in order to access information – were part of the reasons for the long time spent preparing the novel, which reached 6 years of writing.
He adds that the first stage of the research process produced a narrative narration of disjointed details, but it was a weaving of one story in the author’s mind.
He points out that many writers tried to mix between the universality of the war and its tragedies that affected the Syrian people by bombing, killing, displacement, displacement and asylum, with the human details related to love and human relations, but most of these attempts – according to Kooky – dealt with single aspects in this mix, and did not deal with it comprehensively. The revolution and its faculties are like the one that the agenda tried to get out of.
To achieve this, Kuki says that he made a condition on himself before starting to write that he should not touch on the Arab Spring in order to limit himself to the events that the Spring had left. He wished that Syrian fictional literature would find writers treating the Syrian situation in all its details, “from its peacefulness to its setback, through its militarization, politics, Islamization and internationalization. And all the human stories related to love and life within that.