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Where do the stories come from?

When American director and screenwriter David Lynch was asked about the source of his creative ideas, he replied that it is like having a complete idea; But in an adjacent room, as she rolls into the mind piece by piece, and the urge to bring those ideas is like a ceaseless hook that summons those small pieces until the thought scene in the head is complete. This beautiful illustration summarizes the novel’s idea that the writer is hoping for, and waits diligently for it, for it is close, and he almost touches it if he extends his hand. But at the same time, she is so recalcitrant and reluctant that time may pass without the ability to fetch it.

There are solutions or methods that may be useful in facing this intractability, even to some extent, because they stimulate the process of rolling the same that David Lynch talked about, from the next room to the mind of the novelist.

One of them is for the writer to have a clear project that helps him to sort out the ideas that suit him and those that do not agree with his goals. There are many good stories in general; But what counts for it to be is for every writer in the first place. It might be good; But for others, this is where they are ignored, just like immature ideas. This subtle distinction is difficult to grasp without prior knowledge of the written path, which the novelist pursues alone.

It is useful for a person to learn from how creative people think. I believe that there is a traceable way in the way the mind of a good novelist works, how he chooses his subjects and those angles he prefers over other more common ones.

Which also brings the desired idea closer, that the writer starts from the things he knows more than others. There is a region that every novelist usually has is his favorite playground and the field in which he can move with greater ability than others. This region may be a geographical spot, a rare experience, a specialized science, or even a unique passion. And from that, as much as he wrote about music as a novelist, for example, the specialist or the lover of it can find a loophole through which a different idea can penetrate, and this emotional bond is not limited to things that are liked; Even the ones one hates are good for suggesting an idea. That aversion to something people overly embrace may lead to something different when invested well. Here, the idea does not necessarily carry the whole novel, as it can be included in it, as a side plot accompanying the main course of the story, for example.

It is often reported that an abundance of reading in literature illuminates paths towards novel ideas. This is undoubtedly true, but that does not happen automatically and automatically as a natural result of reading, but rather requires careful reading. It is the kind of reading that is concerned more with the way the story was written than the preoccupation with the end of the story, and from the ambush reading that questions the text and looks for its gaps and shortcomings as it does with the elements of its completion alike. All those missed opportunities in a text, all that needed to be done and were overlooked, everything that was done wrongly or were minor, are signs that may indicate a new idea of ​​a novel. Not only that, the shadows of the stories we read or their reflection in our souls are other stories that can be captured. What expresses the soul becomes something different from what it was before our eyes fell upon it; So when a writer searches in himself, he is searching in the universe around him. All this diving inside, is a reversion to look at the run; But after he had acquired some subjectivity.

Finally, it is useful for a person to learn from how creative people think. I believe that there is a traceable way in the way the mind of a good novelist works, how he chooses his subjects and those angles he prefers at the expense of other more common ones. Usually it does not happen accidentally, the thought that seems to have flashed in the head suddenly is preceded by a smoothing of my mind and my work and persistence to summon it. This matter is similar to all stages of fictional work, which in reality deviates from inspiration in the sense of waiting, and approaches effort and hard work.




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